VERONICA MARS STAR CONFIRMS INVOLVEMENT IN SPIN-OFF, HINTS AT SEQUEL

vmm-032

http://themusic.com.au/news/all/2014/06/26/veronica-mars-star-confirms-involvement-in-spin-off-hints-at-sequel/

Advertisements

METAL VIKINGS & OTHER HIGHLIGHTS OF THE ADELAIDE CABARET FESTIVAL

Published on theMusic.com.au | 23.06.14

Published in The Music (WA, VIC) | 25.06.14 | Issue # 44

adelaide_cabaret_festival_0614_daniel_cribb

http://themusic.com.au/news/all/2014/06/23/adelaide-cabaret-festival-metal-vikings-highlights/

Cover Story: Katie Cassidy (Arrow)

Published in The Music (WA)| 18.06.14 | Issue # 43

Screen Shot 2014-06-18 at 6.54.40 PM

GREEN WITH ENVY

Throwing everything into her work, it’s often “gruelling and emotional” on set for Arrow star Katie CassidyDaniel Cribb goes hunting for spoilers.

“I’m just leaving the hotel to head to the airport and go to Australia,” a somewhat flustered Katie Cassidy begins down the line from LA. Having darted around the US all week, she’s just completed a last-minute photo shoot for her fashion blog, Tomboy KC, and is gearing up for appearances at Supanova Pop Culture Expo alongside fellow Arrow stars John Barrowman and Manu Bennett. “I’m so excited, I’ve never been, which sucks. My whole family’s been and they always talk about it.”

Part of the legendary Cassidy family with a slew of impressive credits to her name, it’s in her current role in TV cult hit, Arrow that she’s been billed. Based on DC Comics’ Green Arrow and gearing up for its third series, Cassidy portrays Laurel Lance who, in the comic books, is the crime-fighting, arse-kicking Black Canary. The Laurel Lance on the TV series hasn’t joined forces with the Green Arrow, but it was at the end of series two that fans were given a hint that she might finally become the Black Canary. “Do you think I’m allowed to tell you that?” she laughs. “In Supernatural, I had a lot of training in things like kickboxing and I was a gymnast growing up so being part of the action story is definitely very exciting for me and I can’t wait, I hope there’s more of it,” she says on the prospects of becoming Black Canary.

“A lot of people asked me, ‘Have you read the comics?’ – and I felt that Laurel Lance isn’t Black Canary. Yeah I definitely did my homework when I was meeting with [writers/producers] Greg Berlanti and Andrew Kreisberg and Marc Guggenheim but at the same time, I want to be true to where my character lives in that specific moment so I haven’t gone ahead and read too much about it because Laurel Lance hasn’t become the Canary at this point so I’m trying to keep her as grounded and real as possible. I do feel like she’s the heart of the show… If and when Laurel becomes the Black Canary I will do far more research into the comic.”

Series three is shaping up to be an exciting endeavour for Cassidy, and a welcome change from the somewhat exhausting plot line her character had to endure in series two, Lance struggling with drug and alcohol addiction. “As an actor it was amazing. I love a challenge; I love the way the writers wrote for me. It put me in a weird spot. When you go to work every day and when it’s gruelling and emotional, it can be draining at times but at the same time it’s the reason I do what I do. I love what I do with a passion. [The writers] did a wonderful job but it was definitely draining and it took a toll on me. I was exhausted emotionally but at the same time I look back at it and I wouldn’t have wanted it any other way.”

It was a combination of the writers pushing actors and the actors accepting the challenge that rendered series two gripping all the way to the finale. “I find it rare that season two is better than season one. And in this case, I feel like the second season was – reading scripts and doing analysis was, at least for me, a page-turner. And I feel like from what I’ve heard about season three, it’s going to be just as good, if not better than season two.”

Those who have followed Cassidy since her first TV appearance in The Division in 2003 know that she’s been acting non-stop across a range of different formats and is something of a legend within genre TV and thriller film circles, garnering credits in films like Taken (2008) and the revamped A Nigthmare On Elm Street(2010).

After The Division, she had brief stints on 7th HeavenSex, Love & Secrets and more, before landing her first recurring TV role as the original human face of demon antihero Ruby on Supernatural in 2007, which was followed by a spot on 13-episode CBS mini-series, Harper’s Island, appearances on Gossip Girl and making the main cast of the short-lived Melrose Place revival. “[Harper’s Island] was interesting because you never knew if you were going to die or get killed off. A wedding party goes to an island and there’s a killer on the island – someone in the wedding party. We never knew who would be killed off on the next episode. Happy to say I lasted until episode twelve out of thirteen,” she laughs. “It was very stressful and nerve-racking but at the same time I had a blast doing it.”

Probably the most intense role Cassidy has taken on however was the main character in 2014 thriller, The Scribbler, a role that saw extensive preparation and was shot shortly after the Arrow pilot. “I played a woman who had multiple personality disorder and I created seven different characters and came up with different character backstories and when I was shooting it, it was incredible and such an amazing experience. It gets a bit stressful but I think it adds to it.

“It was a great experience and I hope people enjoy watching it as much as I did filming it. I think that it truly shows a different perspective – I actually sat down with someone who had multiple personality disorder  – and you know, bringing that to life is difficult but again, it’s where my passion lives and I love a challenge.”

Daniel Cribb

http://themusic.com.au/interviews/all/2014/06/18/katie-cassidy/27380/

INTERVIEW: Steve Poltz

Published on theMusic.com.au 10.06.14

phpThumb_generated_thumbnailjpg

WATCH THE WORLD GO BY

Standing on the edge of the world, Steve Poltz lets his mind run free. Daniel Cribb prepares a straight jacket.

The sun’s setting on a San Diego beach when singer-songwriter Steve Poltz picks up his phone. “I’m at the end of the world here – in San Diego at the border of Mexico, staring into the Pacific Ocean – you’re probably on the other side,” the affable rocker begins. “How does this work? Is there a string between us? Is there a string between our phones that’s connecting us? I’m just fucking with you,” he laughs.

Finding the quirky in almost anything, he has an eye for detail and can twist any information into a tale. A photo of his shoes was uploaded to his website a couple of weeks earlier and captioned with a conversation that occurred between himself and his Converse. Perhaps staring at his shoes, he took the brand name as an invitation to incite a conversation. “I lose touch with reality; I think I need meds.”

His back catalogue encompasses such attributes, and 2014’s The Accident is no exception. Poltz’s new record sees a return to a heavier format – an unexpected direction as its title suggests. Originally going in to record a folk record, a grunge-rock throwback was born.

“Some people hate it, and other people really hate it,” he laughs. “Some of the songs are too foul and crass to play for everyone; some of the songs are too offensive. If you’re playing to a conservative crowd or little kids, you can’t be singing, ‘I want my fuckin’ house back’ over and over.”

Although he tours solo, The Accident features a full band, and he’ll often recruit musicians last-minute for shows. Perth’s own Malcolm Clark and others often join Poltz as he crosses the country. It was the spontaneous nature of his travels that was the conception of The Accident. Having recorded a few mellow tunes with Swedish producer Lars Goransson, the pair invited a drummer and bassist into the studio for a heavier number, and that soon became the direction of the record. “I don’t know what it is about people from Sweden, but they make good-sounding records; probably because they’re so anal. And they have a weird sense of humour. I think we should bomb their country; we should bomb Sweden.

“In the world today, there’s 70 trillion records made, and out of all those records The Accident is number one. It’s better than anything Led Zeppelin or The Rolling Stones or The Beatles have done. It’s probably the best record ever made,” he laughs. A conversation with Poltz quickly manifests into a series of grade A pull-quotes. In fact, it’d almost be possible to simply run a picture of Poltz surrounded by thought bubbles. “It should be a picture of me in a straight jacket in a looney bin, or pushing a shopping cart down the street with dirty feet and nothing but a shopping cart full of luggage.”

http://themusic.com.au/interviews/all/2014/06/10/steve-poltz-daniel-cribb/27202/