INTERVIEW: Nirvanna The Band The Show

Published in The Music (NSW, VIC, QLD) and on theMusic.com.au, Nov 2017

Why ‘Nirvanna The Band The Show’ Deserves Your Attention

Canadian pals Matt Johnson and Jay McCarrol admit Nirvanna The Band The Show can be hard to digest at first, but it’ll only take a few episodes until you’re hooked.

“I would look at the trailer for this show, and be like, ‘That looks like a bunch of shit,’” tells Jay McCarrol, one half of Viceland’s Nirvanna The Band The Show. It’s nearing midnight in Toronto and only a few days before the show’s second season premieres, but his partner in crime, Matt Johnson, is in the thick of editing. “Jay doesn’t edit,” Johnson begins, with McCarrol relaxing at home on the other end of the conference call.

The series follows the childhood friends as they try to get a hometown show at Toronto venue the Rivoli, with each episode playing out an elaborate and convoluted plan, from inadvertently holding up a bank to trying to crash a Christmas parade, all while parodying iconic films and TV shows like Jurassic ParkHome Alone and Daredevil.

Initially emerging as a web series 10 years ago, it was brought back to life earlier this year by Viceland. “Our show doesn’t really look like or seem like any other show that people are groomed to enjoy, where it’s easy for them to settle in right away and know what they’re into,” McCarrol says.

“I think when people watch our show, and we’re lucky enough to get them for whatever reason, and they start to dig into it a little bit and give it a chance then it’s really rewarding for them.”

Its guerrilla-style production is one that Johnson used in his first feature film, The Dirties, which won a wealth of acclaim and even caught Kevin Smith’s attention and saw him release it.

Part of makes Nirvanna The Band The Show so charming is that loose production style and its hidden camera scenes, but it wasn’t something they initially gave too much thought to.

“We didn’t really plan so hard the whole, ‘Oh, we’re going to shoot it with unsuspecting people and weave them into the plot.’ The media likes to talk about it, but with us, it was just the easiest way that we could tell the story, and the funniest way,” McCarrol explains.

“You’re in dude,” Johnson adds, referencing a moment in season one where a brief and unplanned conversation with a stranger outside the venue gives the episode the perfect end note.

“Some of the time that’s where we’re getting our plots from,” he tells. “But other times, we’re trying to force certain things to happen, so that things will make sense. It kind of goes both ways.”

“We’re starting to know what we’re getting into when we shoot certain scenes,” McCaroll says.

While the storylines and grand plans in each episode are brilliant on their own, it’s McCarrol and Johnson’s onscreen characters and the dynamics between the two that really drives the show. Their real-life friendship is evident throughout and contributes to the natural flow of things, and something they lean on heavily throughout production, with McCarrol quick to state that neither of them are “proficient or elegant writers”.

“We don’t really write the show,” he admits. “We write what we think is a good premise…we always end up looking back at a rough cut and saying, ‘Okay, well only half of this is working,’ and, ‘Look at what just happened here with this person on the street. We need to explore that.’ So we go out and re-shoot. You can see that our hair changes a lot if you look closely,” he laughs.

The absurdity of their onscreen personas gets amplified in the season two. “Some of that stuff is some of my favourite stuff that we’ve ever done,” Johnson says on an episode entitled The Buddy, which finds the perfect blend of character development and hidden camera content. “I think what Jay and I think is really funny is more of the drama,” he continues. “The characters are basically brain dead in many ways, but then they’re experiencing these complex emotions.”

Most episodes begin in their apartment, with the duo messing around or coming up with another scheme. “A lot of people would say that’s just what they want to see,” McCarrol states. “We would say that too sometimes, but really what drives it forward is when we can finally come together and tell a compelling story with a good backbone of characters that make sense off of each other.”

“You’ve got a good example of that in your own backyard,” Johnson adds. “The first episode of Summer Heights High, Jay and I go back to over and over and over and over again, in terms of character.”

Johnson’s appreciation of Aussie talent stems from his friendship with local filmmaker Dario Russo, the creator of SBS comedy Danger 5. “[Danger 5] is another Australian original that, in my opinion, is really, really excellent.”

“Are we just naming Australian things we know, like Tim Tams?” McCarrol asks. “No, no, these are Australian television shows, Jay. Very important,” Johnson responds.

The conversation continues, with a recommendation of Russell Coight’s All Aussie Adventures thrown their way before the pair engages in a conversation reminiscent of what you’d see onscreen. “I’m really liking The Deuce right now,” McCarrol says. “It’s not Australian,” Johnson responds. “I thought he just asked if we were watching any shows?” “No, he said Australian shows.” “Well, I’ll just tell him off the record then, The Deuce is a good show. James Franco is exactly how you want him in it.”

The turnaround between seasons was lightning fast in comparison to other shows, and while they’re developing praise from the likes of Rick & Morty creator Justin Roiland (“one of the best shows ever made”), they’re not sure where it’ll go. “We don’t really even know what our expectations are for how the show can grow,” McCarrol admits.

“We’re in the middle of shooting [season 3] right now,” Johnson reveals. “I shouldn’t say in the middle of shooting it, but we’ve shot a good portion of it already.

“I hope that it doesn’t come out until next summer because I think that’s almost kind of when it needs to. But I don’t know what the plan is for when it will be delivered.”

“Every now and then, we pop our heads above water,” McCarrol says, “but for the most part, we’re just a little tiny team making it as best as we can.”

You can stream season one of Nirvanna The Band The Show via SBS On Demand.

http://themusic.com.au/interviews/all/2017/11/25/matt-johnson-jay-mccarrol-nirvanna-the-band-the-show-daniel-cribb/

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CD Review: Joshua Radin

Wax Wings

 

JOSHUA RADIN

Wax Wings

Glass Bead Music

On past releases Joshua Radin has struggled to find a balance between upbeat, feel-good tunes and stripped-back, melody-driven acoustic numbers. 2006’s We Were Here placed its emphasis on whisper-like vocals resting on the frail skeleton of a faint acoustic guitar, while 2008’s Simple Times saw him pick up the pace and introduce female backing vocalist Patty Griffin.

His trademark whispering vocals restricted variety on We Were Here, and the novelty of Griffin was a little too overpowering on Simple Times. Both are great records, but had their direction set by certain elements that stunted anything really groundbreaking. Before writing Wax Wings, it seems Radin took the time to analyze his career to date in order to map out the perfect record.

He is one of few vocalists who can sing through a whisper and maintain a solid melody that doesn’t feel forced. It’s his unique way of singing that separates him from others attempting to take over the world with an acoustic guitar. On his latest effort, he still keeps his voice to a husky whisper most of the time, but allows himself to break free from it every now and then. Griffin also makes an appearance, but her voice sits firmly in the background.

Track two, When We’re Together, is classic Radin. The kind of song you’d expect to hear at the end of a romantic comedy, while Lovely Tonight mimics that of his Scrubs’ single, Closer.

To truly appreciate this record, it’s preferable to have knowledge of his back catalogue, but if you’re new to Radin, this album is a great introduction.

Daniel Cribb

I’m hitting the road with David Liebe Hart!

Usually this kind of post would find itself on my music website (dancribb.com), but I’m beyond excited to announce that this October I will be playing bass and touring Australia with David Liebe Hart (Official) Band! Tim and Eric Awesome Show, Great Job! fans will know how awesome this tour is going to be. Even more stoked that Harry El Bateristawill be playing drums. This is going to be unreal! For more info and tickets head to the event page –https://www.facebook.com/events/250338091775864/

CD Review: Lucero

PUBLISHED IN AUSTRALIAN HYSTERIA MAGAZINE ISSUE # 9

Lucero – Women & Work

ATO Records / Shock

Lucero’s third studio album “Women & Work” combines the grit of classic punk with country rock in a way that few bands have yet to master. With a goldmine of lyrics and solid riffs to back them up this album tops all their previous efforts and will no doubt secure this Tennessee four piece a permanent place on many an iPod. If you’re in the mood for some easy going, fun music, then put your dancing shoes on and take this CD for a spin.